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Ivan Denisovich. This watercolor went pretty quickly and I think I could spend some more time on it now that I am looking at it on the screen. I like it, but I’m not sure if I shouldn’t go back in on it and turn the volume up to 11.
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So this is my problem. I start off drawing books with the full intention of treating them loosely; I do a couple of things that I really like and all of a sudden I tighten up for as long as the book lasts. In this spread, for example, the two…
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This is of a friend/friend’s wife. The sun was shining through the window and reflecting off the pew in front of her; that’s where the underlighting is coming from. I was very happy with this drawing – especially as it was done during Sunday school!
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These don’t really go together, but I like the way they seem to have some kind of quasi-relationship on the page, especially with the stark white background and the way the deer’s neck lines up with the woman’s collar.
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So I don’t normally show these drawings to the folks I draw. The few times I have shown them to the people I have drawn, they have been either totally nonplussed or outright upset that I would draw them. So, as I have almost no fear that these will be…
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A graduate and a crab claw. You have to get the colors down quick for crabs. After they die and/or dry out, the colors fade fast.
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Here’s another drawing of a person at church. She sat very still for me which was great. I’m quite fond of how the hair turned out.
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In addition to a sneaky profile, here is evidence of my love of crawdads and bugs.
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Here are some more pages from the drawing book. A reworking of that Triceratops (watercolor pencils, I’m finding, are excellent), and some still life and another profile done on the sly.
